![]() ![]() That’s how he found out that Moreno was probably the first Latino to pen his own regular comic strip in a major American newspaper, from 1924-26. ![]() Loyola Marymount animation professor Tom Klein is working on a biography of Moreno, whom he called “a figure who really deserved more and could’ve been so much more.” He plans to tell the history of animation in Los Angeles through his book, and has been in the proverbial salt mines for years. in the 1950s, left the world of cartoons, and ran a successful photo-processing store for decades. Disney animators who had worked with Moreno tried multiple times to recruit him to the Mouse House, but he instead took over his brother’s camera shop during World War II, then moved to his native Mexico to run an animation studio. He was a trusted supervisor for Walter Lantz in the 1930s, and also worked for MGM. Some became legends like Bill Melendez (who brought “Peanuts” to television), Phil Roman (whose animation studio long produced “The Simpsons”) and Disney stalwart X Atencio others might not get as much mainstream attention but are nevertheless respected by animation buffs. While Old Hollywood stereotyped Latinos or just ignored them (still does, alas), animation was a space where Latinos - particularly Mexican Americans - were able to flourish.
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